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Duet for Cannibals: Forms of Cultural Appropriation
+++ +++
+++Inti Guerrero [ed.]+++
ISBN
978-94-90322-21-2
Graphic designer
COUP
Number of pages
84
Book size
16 x 23.5 cm
Binding
Paperback
This publication was made possible with support by the Mondriaan Stichting and the Amsterdam Fund for the Art.
We like to thank the Tropentheater Amsterdam and Tropenmuseum Collection.
This publication is published by Jap Sam Books in cooperation with Agentur
Release date: December 2010
English
Duet for Cannibals: Forms of Cultural Appropriation is a publication based on a screening and discussion program bringing together a selection of works by contemporary artists and filmmakers as well as footage from the archive of the Tropenmuseum in Amsterdam. The title Duet for Cannibals is borrowed from a 1969 film directed by American author and critic Susan Sontag.
Anthropologic and ethnographic institutions in European colonial power centres, like the former Colonial Institute of Amsterdam (nowadays the Royal Tropical Institute), were founded to study and exhibit the cultures of 'overseas people'. Their role was to appropriate, classify, and display cultural artifacts and sometimes even human beings. Though they claimed to reveal the pre-supposed cultural essence of the non-European other, such displays further entrenched the stereotypes of a eurocentric scientific and cultural status quo. In other words, it was by means of the inclusion of other cultures rather than their exclusion, that the colonial power constructed and affirmed itself within the enlightened modern institution, enhancing a privileged position from where it could unilaterally represent the rest of the world.
The works in Duet for Cannibals present a wide range of approaches to this debate by departing from historical strata of colonial archives, post-war cultural imperialism and countercultural forms of metropolitan creole-subcultures. Duet for Cannibals: Forms of Cultural Appropriation deals with colonialism and cannibalism as forms of cultural appropriation. The publication is comprised of works by Raimond Chaves, Dominique Gonzalez-Foerster, Hans Heijnen, Paulo Herkenhoff, Gordon Matta-Clark, Ossama Mohammed, Wendelien van Oldenborgh, Christodoulos Panayiotou, Jose Alejandro Restrepo, Susan Sontag, Andy Warhol and Ming Wong.
The curator and editor of Duet for Cannibals is Inti Guerrero. Inti Guerrero is an art critic and curator born in Bogota, Colombia and based in Amsterdam. Guerrero completed studies on History and Theory of Art & Architecture, and General History at the Universidad de Los Andes in Colombia and the Universidade de Sao Paulo in Brazil. He is a former Curator-in-Residence of the Fondazione Sandretto Re Rebaudengo in Turin and Capacete Entretenimentos in Rio de Janeiro.
The publication and program are commissioned by Agentur. Agentur was initiated 2004 by the curator and writer Karin Christof as a project space for international curators and artists to identify new artistic tendencies within and beyond Europe.
€14.00
Duet for Cannibals: Forms of Cultural Appropriation
€14.00
Art / Film / video / Theory
ISBN
978-94-90322-21-2
Graphic designer
COUP
Number of pages
84
Book size
16 x 23.5 cm
Binding
Paperback
This publication was made possible with support by the Mondriaan Stichting and the Amsterdam Fund for the Art.
We like to thank the Tropentheater Amsterdam and Tropenmuseum Collection.
This publication is published by Jap Sam Books in cooperation with Agentur
Release date: December 2010
English
Duet for Cannibals: Forms of Cultural Appropriation is a publication based on a screening and discussion program bringing together a selection of works by contemporary artists and filmmakers as well as footage from the archive of the Tropenmuseum in Amsterdam. The title Duet for Cannibals is borrowed from a 1969 film directed by American author and critic Susan Sontag.
Anthropologic and ethnographic institutions in European colonial power centres, like the former Colonial Institute of Amsterdam (nowadays the Royal Tropical Institute), were founded to study and exhibit the cultures of 'overseas people'. Their role was to appropriate, classify, and display cultural artifacts and sometimes even human beings. Though they claimed to reveal the pre-supposed cultural essence of the non-European other, such displays further entrenched the stereotypes of a eurocentric scientific and cultural status quo. In other words, it was by means of the inclusion of other cultures rather than their exclusion, that the colonial power constructed and affirmed itself within the enlightened modern institution, enhancing a privileged position from where it could unilaterally represent the rest of the world.
The works in Duet for Cannibals present a wide range of approaches to this debate by departing from historical strata of colonial archives, post-war cultural imperialism and countercultural forms of metropolitan creole-subcultures. Duet for Cannibals: Forms of Cultural Appropriation deals with colonialism and cannibalism as forms of cultural appropriation. The publication is comprised of works by Raimond Chaves, Dominique Gonzalez-Foerster, Hans Heijnen, Paulo Herkenhoff, Gordon Matta-Clark, Ossama Mohammed, Wendelien van Oldenborgh, Christodoulos Panayiotou, Jose Alejandro Restrepo, Susan Sontag, Andy Warhol and Ming Wong.
The curator and editor of Duet for Cannibals is Inti Guerrero. Inti Guerrero is an art critic and curator born in Bogota, Colombia and based in Amsterdam. Guerrero completed studies on History and Theory of Art & Architecture, and General History at the Universidad de Los Andes in Colombia and the Universidade de Sao Paulo in Brazil. He is a former Curator-in-Residence of the Fondazione Sandretto Re Rebaudengo in Turin and Capacete Entretenimentos in Rio de Janeiro.
The publication and program are commissioned by Agentur. Agentur was initiated 2004 by the curator and writer Karin Christof as a project space for international curators and artists to identify new artistic tendencies within and beyond Europe.
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